加一

《加一》讲述的是什么故事？

《加一》　　本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。　　有意想观看的，可联系版权方微信：1714371600　　《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。　　加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。　　留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.　　“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.

一、《加一》是哪一年上映的？

《加一》是蒋能杰于2016年拍摄的一部经典记录片。此片开创大陆当代记录片的先河，《加一》上映时票房稳坐前三，创下当年纪录。当时蒋佳伊,范梓沐均为最佳主角，蒋佳伊,范梓沐以精彩演技和突出形象，奠定在大陆影坛地位。蒋佳伊,范梓沐饰演角色造型多年后仍为人所模仿。蒋能杰之前曾被人怀疑其能力，而《加一》却奠定蒋能杰记录片风格。《加一》首映时曾获海外记录片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2016年代）大陆优秀记录片齐名。

二、被称为记录片的开先河之作的《加一》，是蒋能杰最好的作品吗？

从蒋能杰斩获记录片最佳导演开始，很多观众就觉得这部《加一》是他极具代表性的记录片。虽然蒋能杰后来还拍出过评价很好的作品，但是《加一》依然常被认为是他记录片创作中的重要代表。

三、《加一》为什么可以成为经典？

提起大陆，不少观众都会想到《加一》的名字。这部由蒋能杰导演，蒋佳伊,范梓沐主演的《加一》，在当时凭借鲜明的人物塑造和紧凑的记录片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《加一》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《加一》？

《加一》口碑表现稳定，深受广大观众喜爱。不仅蒋佳伊,范梓沐的表演有看点，而且该记录片故事情节紧凑，影视6（6.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《加一》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《加一》记录片的主要内容

《加一》是一部记录片作品，由导演蒋能杰执导，蒋佳伊,范梓沐主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的记录片故事。

《加一》　　本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。　　有意想观看的，可联系版权方微信：1714371600　　《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。　　加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。　　留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.　　“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.