最后的科学怪人海报

影片详情

最后的科学怪人

  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled

7.6评分37.8万播放HD状态
类型
科幻片
年份
1991
地区
日本
语言
日语
导演
Takeshi Kawamura
主演
Akira Emoto

播放地址

《最后的科学怪人》选集

剧情资料

剧情简介

《最后的科学怪人》讲述的是什么故事?

《最后的科学怪人》  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.  comments from imdb:  This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.  This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.  The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.  I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.  15 out of 10 and then some. 10/10  Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.  And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.  The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".  Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

一、《最后的科学怪人》是哪一年上映的?

《最后的科学怪人》是Takeshi Kawamura于1991年拍摄的一部经典科幻片。此片开创日本当代科幻片的先河,《最后的科学怪人》上映时票房稳坐前三,创下当年纪录。当时Akira Emoto均为最佳主角,Akira Emoto以精彩演技和突出形象,奠定在日本影坛地位。Akira Emoto饰演角色造型多年后仍为人所模仿。Takeshi Kawamura之前曾被人怀疑其能力,而《最后的科学怪人》却奠定Takeshi Kawamura科幻片风格。《最后的科学怪人》首映时曾获海外科幻片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1991年代)日本优秀科幻片齐名。

二、被称为科幻片的开先河之作的《最后的科学怪人》,是Takeshi Kawamura最好的作品吗?

从Takeshi Kawamura斩获科幻片最佳导演开始,很多观众就觉得这部《最后的科学怪人》是他极具代表性的科幻片。虽然Takeshi Kawamura后来还拍出过评价很好的作品,但是《最后的科学怪人》依然常被认为是他科幻片创作中的重要代表。

三、《最后的科学怪人》为什么可以成为经典?

提起日本,不少观众都会想到《最后的科学怪人》的名字。这部由Takeshi Kawamura导演,Akira Emoto主演的《最后的科学怪人》,在当时凭借鲜明的人物塑造和紧凑的科幻片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合,让《最后的科学怪人》在同类型作品中具有较高辨识度,也让观众对其中的情节留下深刻印象。

四、如何评价《最后的科学怪人》?

《最后的科学怪人》口碑表现稳定,深受广大观众喜爱。不仅Akira Emoto的表演有看点,而且该科幻片故事情节紧凑,影视6(6.hnttlq.cn)观看起来流畅,同时还能保持较强的剧情吸引力。虽然不同观众对《最后的科学怪人》的评价各有侧重,但该片目前的受欢迎程度已经名列同类作品前茅。

五、《最后的科学怪人》科幻片的主要内容

《最后的科学怪人》是一部科幻片作品,由导演Takeshi Kawamura执导,Akira Emoto主演。影片围绕主要人物的经历展开,通过人物关系、情节推进和情绪变化,呈现出一段具有观看价值的科幻片故事。

《最后的科学怪人》  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.  comments from imdb:  This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.  This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.  The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.  I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.  15 out of 10 and then some. 10/10  Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.  And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.  The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".  Intelligent, emotional, tragic and real, this is an absolute gem. 9/10