冰刀

《冰刀》讲述的是什么故事？

《冰刀》　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

一、《冰刀》是哪一年上映的？

《冰刀》是翁贝托·伦齐于1972年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《冰刀》上映时票房稳坐前三，创下当年纪录。当时卡罗尔·贝克,艾伦·斯科特均为最佳主角，卡罗尔·贝克,艾伦·斯科特以精彩演技和突出形象，奠定在其它影坛地位。卡罗尔·贝克,艾伦·斯科特饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《冰刀》却奠定翁贝托·伦齐剧情片风格。《冰刀》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它优秀剧情片齐名。

二、被称为剧情片的开先河之作的《冰刀》，是翁贝托·伦齐最好的作品吗？

从翁贝托·伦齐斩获剧情片最佳导演开始，很多观众就觉得这部《冰刀》是他极具代表性的剧情片。虽然翁贝托·伦齐后来还拍出过评价很好的作品，但是《冰刀》依然常被认为是他剧情片创作中的重要代表。

三、《冰刀》为什么可以成为经典？

提起其它，不少观众都会想到《冰刀》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《冰刀》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《冰刀》？

《冰刀》口碑表现稳定，深受广大观众喜爱。不仅卡罗尔·贝克,艾伦·斯科特的表演有看点，而且该剧情片故事情节紧凑，影视6（6.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《冰刀》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《冰刀》剧情片的主要内容

《冰刀》是一部剧情片作品，由导演翁贝托·伦齐执导，卡罗尔·贝克,艾伦·斯科特主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《冰刀》　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.